343 Royalty-Free Audio Tracks for "Cave Impulse Response"

Fostex 31801980's spring reverb studio effect. Impulse response taken with sine wave sweep and deconvolved using reaper. 44. 1khz 24-bit flac.

A digitally modelled impulse response of a location. I use these impulse responses for sound implementation in games, but some of these work great on musical sources as well.

This is a sum of two units, a digital reverb ams rmx16 and spring reverb fisher k10 with gate, this was an experiment i wanted to do and by the way, it worked well.

Were experiments with algorithmic reverb, trying to create the reverb style used in the 80's.

Impulse response of interior of a parked 2007 kia cee'd estate, recorded with a zoom h1n on 28/01/2021.

Balloon pop to map the reverb in a space, you can then use it to make your own convolution reverbs.

Studio technologies - stereo simulator (generation ii). Https://studio-tech. Com/products/generation-ii-stereo-simulator/. The generation ii stereo simulator from studio technologies creates a convincing stereo imagefrom a mono audio source. The fully mono-compatible signal simulates space withoutreverberation by using random, non-recursive filter techniques. The mode switch (found on the hardware unit) controls the overall sound of the generation ii. In the music position, the full audio bandwidth of the input signal is simulated. This mode isappropriate for audio material with little or no voice-only content. In the music & voice position, the input signal is sent through a band-reject filter prior togetting sent to the simulator circuits. This creates stereo simulation over the low and highfrequency range, while limiting simulation in the voice band. This mode is appropriate for audiomaterial that contains voice-only content, such as a film track or television show. The stereo intensity control determines the amount of stereo simulation that is produced. Inthe fully counterclockwise position (ir files “0” – included for process comparison), no simulatedstereo is produced. The mono input signal is sent equally to the left and right outputs. As thecontrol is turned clockwise (ir files “1 – 6”), the amount of stereo simulation increases.

Ir - impulse response of a forest (5m). Ir - forest (10m) : https://freesound. Org/s/558824/ir - forest (20m) : https://freesound. Org/s/558823/. Gear : rode nt4file: 96khz, 24 bit, stereo, wav.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with a sony d100. Self-reminder to bring more balloons next time.

Impulse response file for use in convolution reverbs. I recommend convology xt by impulse records, free and easy to use. Recorded in a glass box of a hotel shower. And we all know glassy resonant shower reverb is the best. Recorded with primo em172 omnis plugged into a sony d100. Self-reminder to bring more balloons next time.

Experimental irs for convolution reverbs.

I recorded me clapping in my favourite tunnel of my village and made irs of it.

This audio is not a sound effect itself, however it can be used with an impulse response plugin to recreate the acoustics of a particular environment. This particular file is designed to replicate the acoustics of distant muffled club or rave. This was done using the "profiler stereo lsp plugin" and placing the microphones on the opposite corner of the speaker in a highly reverberous house forcing the audio to reverberate around a corner. After this, a low frequency boost was applied in post along with other general cleanup of the audio.

Impulse response generated from field recordings of a parking garage. Recorded using an audio technica bp4029 m/s shotgun microphone into a zoom h4n recorder. This recording is part of a pack of impulse responses comparing different recording and post-processing techniques. A full explanation of the experiment and recording process is presented in this video: https://youtu. Be/nm65zx3u7me. Sweep recordings were deconvolved using voxengo deconvolver.

Recorded a clap in my bathroom with no shower door or curtain with a zoom zh1 @ 96khz 32bit, denoised with izotope rx, flattened spectrum slightly by matching with pink noise.

Impulse response of the famous digital reverb unit rmx16, in its most popular configuration: nonlinear.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

I made changes in the impulse response of the fisher k-10, i used a demo of the fisher spacexpander on youtube that had a warmer sound, i did eq match using small sections of the video where the audio is dry or wet, i did this sin several times and the result was fantastically similar. The reference used: https://youtu. Be/17x9fqbjbfw.

Example keys processed with ir dbl ms verb first dry then wet then wet stretched.

Recorded a clap in a quiet winter snow-covered forest in rural ontario. Can be used for an impulse response. Not ideal, but interesting anyway! recorded with a zoom h2n recorder.

An impulse response, made with vital softsynth, simulating the responce of a bunch of strings tuned to notes of bohlen—pierce scale. Specifically, a middle ground between 13 equal divisions of a tritave (interval 3/1) and the just-intonation bohlen—pierce scale. (for no particular reason. ). Convolving with this might add some xen flavor to your sounds, even if you play in standard tuning 12edo. I tried it with surge xt’s hammered dulcimer patch (i love hammered dulcimer!) and heard some additional shimmering.

A couple of ir from a field recording at carnarvon gorge amphitheatre, a very subtle sandstone acoustic, not a big reverb, but warms up a flute nicely. . . . This place is an ancient aboriginal initiation site.

Impulse response of the guitar loudspeaker captured by the audix i5 microphone.

It’s a mix the 80s gated reverb and the fisher k10 stereo (gated), this is an experiment that i did combining a thicker reverb with low frequency, with an impulse response from a 60s spring reverb unit, which brings a movement nice in the mix.

The giant 1000 liter wine tank at red maple vineyard in the hudson valley - west park, ny. This sounds amazing for "old vocals"a very springy plate tank reverb. Complex and colorful. White and pink noise was played through two speaker exciter transducers attached the outside of the tank. 12gaugemicrophones black212 blumlein microphone inside the tank into behringer xr18, logic pro. Feel free to use as you like but please do mention the source if you can. @manysounds.

Linear decay produced from stereo pink noise to reproduce 80's plate reverb in a convolution reverb plug-in. This can be filtered to find best character.

A recording of an air rifle being shot in a valley. Recorded on a zoom h4n pro about 5-10 metres in front of the barrel, facing away from the rifle. Edited in audacity. I love the crackle as the shot breaks the sound barrier. Could be slowed down to make it sound like a larger weapon, or maybe even used as an impulse response. I have also uploaded the unedited version in case you want to apply your own effects: https://freesound. Org/people/fission9/sounds/466311/. Recorded 14/04/19.

Pulse responses from great british spring reverb processed with equalizers, tube preamps and compressed with analog tape.

Tube spring reverb unit compressed on the tape.

This is a 24-bit 44. 1khz impulse response recorded at the very acoustically interesting notre dame in new york city. The stereo x/y mics are oktava small-diaphragm microphones running into a sound devices 702.

Honestly, this is one of the coolest things ever. Just drag this impulse response into your ir reverb plugin and it will make everything sound like it's in a space suit / glass helmet. Really handy for an astronaut speaking, for example. I bought a massive, round, glass fishbowl to record this. Recorded with a zoom h4n. If you are as blown away as i was with this, give me a sub and like on youtube!. Fractanimal.

A recording of an air rifle being shot in a valley. Recorded on a zoom h4n pro about 5-10 metres in front of the barrel, facing away from the rifle. This is the unedited version (albeit slightly trimmed) for those who wish to apply their own effects. You can find the edited version here: https://freesound. Org/people/fission9/sounds/466310/. Recorded 14/04/19.

A slinky spring toy stretched out and plucked once from the end, recorded with a zeppelin design labs cortado impedance-matched piezo contact microphone. The resulting recording is a classic spring-based sci-fi "laser sound" with a massive, lengthy, rumbling decay tail. This was recorded at 24 bit 96 khz. In addition to its use as a sound effect, this waveform works well inside a convolution reverb as an offbeat spring reverb impulse response, provided one has the processor power and ram to support a 2 minute 13 second convolution. The cortado's bass response is exceptionally large for a contact mic, so high pass filtering may be desired if used as an impulse response.

Clapping in echoey spots to capture the impulse-response. You can map the contours to make your own convolution reverbs.

Some cave ambience. Made with audacity & recorded with my old microsoft webcam.

Convolution with the impulse response of the 3r floor from pompeu fabra university (poblenou, barcelona) and https://www. Freesound. Org/people/inspiredfunk/sounds/66352/.

Unit impulse 48khz, 120 bpm.

Rise. Fall. Impulse. Wav.

Pushing out a shield with a foot.

1 sample of audio with 1 signal. Used for convolution.

Zoom h4. Bouncing ball on laminate floor. Bounced by hand like a basketball in different speeds. Nice resonance between the bounces.

Impulse hits and stamps from within my upstairs bathroom.

Sound of the button on the tv with an increase of the sound. V' : impulsion variée. Morphologie :- masse : son seul complexe- timbre harmonique : terne et claquant- grain : un peu de grain, son rugueux- allure : un léger vibrato- dynamique : attaque abrupte et graduelle. - profil mélodique : variation scalaire- profil de masse : bruit seul hauteur son augmenté.

A water droplet dropping in a place of high reverb. Artificially created from a recording, which i own, with audacity. Use however you see fit.

Mining in a deep cavern.

A edited snare turned into alien in a cave. Well thats what it sounds to me.

Original was me pouring cereal into a glass bowl. Recorded on my iphone8. Edited in audition.

This quick clip sounds like something big is in that cave, and it a'int happy :3. This sound is really one of my brother's nerf guns being shot and stretched out. Weird eh?. What i was experimenting :d.

Hundreds of thousands of birds flying into a cave in chiang mai at nightfall.

Recording of the gas meter of a house outside.